ROBERT FERNANDEZ

Veils

Four Seasons Resort, Sharm El-Sheikh

Tract

Red Ibis

Epithalamion

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

VEILS

 

 

1.

 

draws the style of the three yellow crowns

from the slit of the mouth

 

the style of yellow crowns

from an upwelling of lashes

 

the flared lip of a conch

from ponderous bazaars

 

2.

 

in its uprushing and poised sails, the Moray

a little loaf of bread falling into slices

of its own volition. . .

 

lest in

crushed black incense,

 

jasper and rigorous sun

 

lest, aligning in soft proportions,

extrude veils and fires


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FOUR SEASONS RESORT, SHARM EL-SHEIKH

 

 

Red fan on a train from Sharm el Sheikh

or Liberia, one history aligning the other:

 

one in bright, combinatory shelves of towels;

the other, dry banners of sunlight and speed—

 

the cheeks shaved into a veil. The sun, rigid

in its friezes says this is a water of events—

 

momentarily I fail—a smile, compulsions

of horns fluttering in a suit—momentarily,

 

witness the drawing of a duration

like a fan of water uncrossed in the heart.

 

Gifted firecoral breezeway—stretti of

falling water. Upright, that which by

 

necessity I will clear away—the figure

and its rhythms desperately put forth.

 

Sewn license of a heart, other pale-

red firmament—there, sun walking

 

in an infinity pool with naked feet

there, futures, zeitgeists of palms

 

that swallow and lave, there,

the sea in its crinkled introspection

 

of wilds, its maze and bladders—

there, noons, as we are children

 

or trumpets, cream-white,

satin empathies, each thing (all things)

 

massing in untenable varieties of hands

that clip our hysterical wills and roses,

 

retroactive in the sea beside us.

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TRACT

 

 

As would be right to assume with any breakneck speed, there is clarity and sedition, a tending to clarity as to a subset of laws governed not by fear but sensate rails, laws of the white tooth, of the golden and the black dove, of capacities bent inward and burning to hybridize. Quite a day to be entombed in these cream-colored blocks. Wholly incapable of time, casuistry, what of these intricately white pigeons chasing around in the painted light, what of the delta that has been unjointed, jointed by a rod like a thoughtful bridge? The mirrors of your veins unfold. What you see in yourself is not presencing but tan beads. A note to the extent your capacity does not extend past seeing, find the wheel. The clouds are vibrant odds, their light in bridge and penetrative gait neither part of a whole, nor whole, nor a gaze unlocking in an indelicate intimacy. A suspicion that we are moving from fair to fair, palace to palace. A suspicion in hot dust, that mandrills and silvery omegas have begun spilling over their colossal argument of names.


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RED IBIS

 

 

Carved down by wild sun—

Who in mutual admiration

 

And red planks,

Who of anonymous gifts,

 

Transient, baited by silver,

Turning sleep-herds, beams

 

Of capital, red ibis

One tireless motion if not

 

To eat then split across the wings:

Red buoy, red life vests, red marble

 

Of gates and cloisters turned in,

A friar in the reef pursuing

 

Elements. While baited,

We twilight. While baited,

 

Leaven, shrill and happy:

Saltwind cashing out on a bluff.

 

On the perimeter, the wave

In its uprushing and poised facets—

 

Translated, how soon. A margin

Call of tides. Face, an exasperatingly

 

Fine grain. Red ibis, salvage

Diver, pin-clad countenances

 

Resolved in a threshing of veils.


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EPITHALAMION

 

 

At once this dragnet of cousins

Whips its way into your presence saying

None of them among us, it is a white

Pentacle on the court of midnight,

The tight filigree of your mind or your

Splashing around in, pandemonium

Of an azure graffiti inexpertly cut up—

And makes a weapon of furled hands,

I will walk, but my bones will carry

Ribbons of lead or, I will, like an

Acrobat, mill-headed in 3’s (3 blades,

3 hips, 3 tongues) answer to what comes

Before, what comes before? Eleousa,

Master of Dark Eyelids, eye opening

Like a fennel seed—you are generous

Or are you not—do you shore up and

Wink at the soul? What does the soul say

Other than, ‘my divorce from,’ ‘tan

Holiday,’ ‘smoking crystal in teak rooms. . .’

But should have asked—“what do you

See?” The sun a sequence of fans, a bridge,

Only so exquisitely cabled as to make us

Still—shall we fall

Or travel between bridges

Among the robust, sane clouds,

A face cut from peat like a silver kite?

The sun, dancing in a phial, the initial

Memory of what it was to be born—

Doberman of a sere white universe—

To school out—the audacity of rising

Without name or color to new rooms,

New youth—fruitful, born singularly 

To precise moments not in epiphany

But duration, as under new weather

We become, in action—receive—our

Bodies uncasked like umbrellas under

The flamingo-red light of the racing day.