BRIAN DEWAN

_________________________________________________________________________

 

Please Allow Me to Introduce Myself

Brains

My Coat

The New Face of Business

Crabapple Clubhouse

Public Teddy Bear

Pointier

The Lovers

                                                                                     

_________________________________________________________________________

 

 

Brian Dewan is a preacher in a church which is currently being bombed.   As he stands at the pulpit, bricks are flying through the air, stained glass is shattering, crucifixes are exploding, pews are flaming, and the roof is caving in.   And yet, Pastor Dewan continues his sermon quite calmly as the congregation rushes to the various exit doors:   The blood of the Lord Jesus Christ was shed so that we may live eternally in the Kingdom of God.   There is no cause for panic – the Lord will protect us, praise be to Jesus…   

 

Is he insane – or simply steadfast?   And is there a difference between the two?   Brian Dewan’s poems are often written from the point of view of a very untrustworthy narrator who nonetheless takes himself quite seriously, as in “Pointier,” which deals with the development of pencil sharpeners into “people sharpeners.”    The narrator never cracks a smile nor suggests that anything might be the slightest bit off about his theory.   Anyone who has seen Dewan’s filmstrips is familiar with this approach.   His filmstrips are legitimate filmstrips done in a 1950s educational/institutional style.   He makes beeping noises in between the frames.   As the audience swoons with side-splitting laughter, being the naughty children that they are, Dewan’s face remains as calm and sturdy as Paul Revere’s, and his voice remains authoritative.   He will tell you all about the White Man, an amorphous blob that frightens both the Pilgrims and the Indians.   He will tell you about the mighty Church Organ, an alien force which threatens to destroy those surrounded by its thunderous tones.   You better be paying attention to these filmstrips, because there is going to be a test…   Brian Dewan’s poems are the literary equivalent of this – and of singing church hymns in a rock ‘n’ roll club while accompanying one’s self on the autoharp, something which Dewan does frequently in New York, where he lives.   His reputation as a musician and an artist is known.   Mr. Dewan is equally talented as a poet… and is currently sitting on a goldmine of poems.

 

--Jonah Winter

 

_________________________________________________________________________

 
 
 
 
 
 
 
 
 
 
 
PLEASE ALLOW ME TO INTRODUCE MYSELF
 
 
 
 
Hi, I'm a wrench.  I tighten nuts
 
I'm a spoon. I scoop up food
 
I'm a mop. I swab the deck
 
I'm a flashlight. I light the way
 
I'm a post hole digger. I dig holes for posts
 
I'm a bulb corer. I plant bulbs
 
I'm a whistle-blower. I stop crooks
 
I'm an auctioneer. I spellbind the bidders
 
I'm an electron microscope. I see the atom
 
I'm an owl. I judge the living
 
I'm a statue. I edify the passer-by
 
I'm an electrician. I hook things up
 
I'm a daredevil. I live for thrills
 
I'm a sea shell. I live in the sea

 

 

 
 
 
 
 
 
BRAINS
 
 
 
 
Why is that brain in a dish so proud of itself?
It's just a brain in a dish.
 
Is it bending over backwards to appear proud just because it doesn't have a
body?
 
It distinguishes itself from the brain by the side of the road.
 
The brain by the side of the road has to sit on dirt and be splashed every
time a car drives through a puddle. Why does the brain in a dish feel
superior? Because it is elevated a few inches off the ground, or countertop
as the case may be.
 
It has a lot going for it. If only it would grow up and take an interest in
doing something besides boasting about how good it's gotten with doing
crossword puzzles. 
 
It's unhappy, that's all, that's why tests show that a brain in a dish uses
ninety percent of its energy to deceive itself for one reason or other, it
has to spoil everything, it would be a lot better off if it would just
simmer down.
 
 
 
 
 
 
 
 
 
 
MY COAT
 
 
 
 
I would lie on my coat
which is a blanket with sleeves on it
bunch it up and it's a pillow
but when you go around in it
it protects your skin
because when you're walking around
there are things around that'll gouge your skin
 
If you have any sense
You won't let yourself be gouged
At least not that easily
That's why you wear a coat
Not so much to stay warm
 
In the summer it's too hot
and you're more vulnerable to being gouged
but let's think of something more pleasant
like feather pillows
and moving pictures
and kind words
and hard candy
and musical instruments
and pretty pictures
 

 

 
 
 
 
 
 
 
 
THE NEW FACE OF BUSINESS
 
 
 
 
A business run by turboholic executarians is a thing of the past. These
monkeys, while not as industrious as the men and women they replaced,
accomplish more in five minutes than the turboholics could accomplish in a
twelve-hour day, thanks to state-of-the-art software. And they are often
celebrated in the news on television and radio, the announcer's tone
abruptly warming at their mention.
 
Yes, Ladies and Gentlemen, these monkeys earn more than twice what you make
in a year, and it's all tax-free income. They cannot vote and they are
beholden to their guardians, but they have bank accounts and a large
disposable income, which, though controlled by their guardians, affords them
a more than generous weekly allowance.
 
Everyone loves them, especially the ladies, and people regularly send them
gifts as well as contributions even though the company they work for is not
a charitable organization or a not-for-profit. These numerous benefactors
are electronically thanked and are invited to visit the monkeys at
www.monkeyshine.com. Photos of them having office parties, playing dress-up,
using computers and waving are posted monthly. 
 
 
 
 
 
 
 
 
 
 
 
CRABAPPLE CLUBHOUSE
 
 
 
 
In the crabapple clubhouse
Dogs say swear words
They talk about piss
More than they piss
And scratch their balls
 
When they look at the sun
It makes them think of piss
When they look at the moon
They think it's a bum
And they howl at it
 
We were great, say the dogs
About the howling they did last night
Then they talk about doo doo
And say, "Look at that bitch"
And talk about piss
 
Occasionally they come down
To chase a rabbit
To snarl at children
To cuss at ladies
To piss on a tree
 
Back in the clubhouse
They talk about the asses they've sniffed
The dog do they've rolled in
In a circle, one by one
Each says a swear word

 

 

 

 

 

 

 

 

 

 

 

PUBLIC TEDDY BEAR

 

 

 

 

The public teddy bear
Has no last name
Only many first names
 
Some people call it Toni
Some people call it Randy
Some people call it Toby
And about fifty other names
 
It's getting dirty, it was always dirty
And it's bigger than a regular teddy bear
More than three feet and less than four feet
And slightly damp from being outdoors
 
If something is King-sized, it must be big
Institutional-sized is big too, but not exalted
Well this big dirty bear, everyone touches it
You'd be a wreck too if people were touching you all the time
 
Anyone can tell it's unsanitary
But most people object to it because it is ugly
A movable eyesore, you see it just about every day
In the way of something, or people hugging it and crying
 
A few years back there were fierce local politics
For a while it was illegal for there to be a public teddy bear
But crime went up, so they put out a new one
And within two hours it was already filthy

 

 

 

 

 

 

 

 

 

 

POINTIER

 

 

 

See this pencil sharpener?
 
Well they're making a people sharpener now. It's not very different, but
it's bigger and it will make people pointier than they already are, because
that's the way of the future. People have always wanted to look sharp but
soon they'll be sharper than ever, and everyone will have to pay big money
in order to compete.
 
It will be expensive at first, like everything else, and only the very
wealthy will be able to afford to go to a sharpening studio. But later the
rates will come down, and then they'll come out with the home models and
only people of modest means will still go to the studios. Of course, only
marginal people will go around unsharpened.
 
They're still working out some technical problems. If you sharpen your
finger in a conventional sharpener, you will be injured if you don't have a
particularly strong constitution. But the big sharpeners have to be made to
go easy on tissue, which requires unprecedented technologies. In appearance
though, they are similar. And they have a big crank sticking out of the
back, even though they are automatic - it makes people more comfortable to
see it turning around all by itself, it reminds them of the traditional
sharpeners that they're used to. That's what you have to do when you
introduce a revolutionary new technology, you have to give them something
familiar along with it so they won't get upset.
 
The new people sharpeners won't make the old pencil sharpeners obsolete
though. For one thing, the old ones are just the right size for pencils and
they're so much simpler and cheaper. But even if everyone stopped using
them, they would become valuable antiques. And anything worth money can
hardly be called obsolete.

 

 

 

 

 

 

 

 

 

 

 

THE LOVERS

 

 

 

 

If you go through the Tunnel of Love
I'll go through too, in a painted boat
Gliding slowly through the indoor canal
Full of colored lights and devils in tableaus
ripples in the water make dancing reflections
all over the walls and the ceiling
this, and the slender devils' tridents
helps the love go through the tunnel
 
So if you stroll in the park, I'll stroll too
Let's go strolling
So that it's only a matter of time
Before Cupid shoots an arrow through one of us
Who will embrace the other
So that two hearts may be shish-kabobed on one skewer
Won't that be something
 
And if you leap, I'll leap
Let's all leap, at Lover's Leap
Down at the end of Lover's Lane
Walk right past the people necking by the Lane
To where the sign points to the sky below the cliff
Everyone will know
We leapt for love