Matthew Shindell

 

 
 

 

 

 

 

 

 

 

 

 

 


The Day :: Born :: The Red Door

 

 

 

I work in building number twenty-six

on the fifth floor. Something like that.

Office number 503. People say,

there’s Bill Wassermann, that miserable

scrap. I pay no attention. What

does he have to smile about? That jerk.

The traveling medicine show with his

cockroach powders. I worked

for a man like him once: woke up

in the whore house more times than I

care to talk about. His name was Jim.

Mine was Bernardo. Andy was as a tree.

Bernardo died in the arms of two

children who promised vengeance.

They put on his falcon hood and rope.

A genuine mud farmer’s hat.

Let’s finish my coffee before I go.

I police an area twice-and-a-half the size

of Rhode Island proper. Permits

to burn things. My little red two-seater.

I met Wassermann through the company

back in Sioux City, six years before

the general expansion. Always looking

for fights, always throwing around the milk.

I can’t say my story is worth telling,

or that I have one at all. Only that I

made three journeys there and back,

not one. Once for strength, once for speed,

and once more just for the magic.

Actually, that was my father. A busy man.

God knows where he found the time.

He brought me this tarantula bolo tie

and the news one of my friends

was dead from meth. But it could

just as easily have been a scorpion -

they sell those too - or a paperweight.

I met Bill Wassermann working for the agency.

He wore the same scorpion bolo tie.

The only news he had was that you get

to lie down. You get to have a shave,

if you want. If you don’t, that’s all right too.

 


 

 

 

 

 

Four Star General

 

 

A large debt left in Jamaica, Keith,

Is why I wrote. Anyway, it’s why

They gave me paper. Last night

They found me in the old

 

Brick building. It felt like water

Beneath the church. (This hand

Explodes into a flock of birds,

And this one into a bird of prey –

 

And now there is a difference.)

Often, from a certain height,

one can drop a plate or bowl

and it will not break. That last night

 

I spent dreaming I hated us all.

I dreamt you wrote of stupid wine

And the rats that chew on your ears.

A saber wound from a short necktie.

 

I woke bleeding from below the navel.

(This hand turns into Jesus, who says,

“Sometimes I am, as a man, meant

To talk the eternal Jabber. Others

 

Have to offend for themselves.”)

Many reputable men do say this, Keith.

The land to which we fly is red of dirt

And sky. And of winged antelope.

 

(I ask Jesus, did you love a planet

Of a million dreams, or just leave

A little prayer inside my other hand?

“More a bundle of grains,” he says.

 

And with that flies great distances.

With or about that grain I feed to him,

and he to the birds.) A lot of men

do worry. What’s meant to grace

 

the sky is none of their business.


 

 

 

 

 

 

 

About the Author

 

 

 

“Their Best Trick” is where they hire

a woman to seduce you on a beach.

Then they kill her. It’s no escape after that,

not unless there’s something

you care about more than yourself.

I don’t go to the beach.

 

My name is

Matt Shindell, which means:

                (1) There’s always an offer

                on the table. (2) Conditions

that may or may not be met.

(3) All in a day’s work.

 

But that’s purely descriptive.

 

Maybe this thing I heard about the Cyclops

is the best way to begin. He traded one eye

to the beast in order to see the future. The only

future he sees is the moment of his own death.

 

Now me, I’m not so bad.

My one eye looks as if to say,

                “Don’t even bother finishing

                this story of all you did

                on your night without me,

                I discovered while you were out

                that I’m not in love anymore.”

The other,

                “A dragon doesn’t care

                the condition of his castle;

                he only wants it for a lair.”

 

My name is

Matt Shindell.

 

Let me explain: When I first came in, a light

was behind you. Your silhouette was that

of a woman at a desk. But you’re sitting up

in bed. I see that now.

 

From where you sit, tell me if you don’t see

something like a man on a raft in a cigar box ocean

cupping his hands around the speck of land

painted on the horizon. He’s not getting there

anytime soon – that’s the look of it.

Still, tell him he doesn’t feel what warm

breezes might blow across that land.