Your octopus is growing larger, more dangerous. These proportions are our mightiest—we even have two winters. There are a latta reasons to be scared.  Don't be.  We'll swim you through this.  As this is the third issue, here are three important things you should know:

  1. We scratched a deep itch for Ronald Johnson. If you're unfamiliar with Ronald Johnson, we hope this issue will now be your friendly primer.  If you're already a Johnson fan, perhaps then we'll be gravy.  Either way, we're thrilled to present you with "Blocks to be Arranged in a Pyramid," a major poem from the latter stage of Johnson's amazing career.  Wanting to learn more, we asked Peter O'Leary, Johnson's literary executor, some questions, and he's gone beyond generosity in his response.  In addition, Joshua Corey and Aaron McCollough also pay their respects to the man.  And we've improvised a Ronald Johnson alphabet to help guide you towards a further understanding and a deeper embrace. 
  2. We've juiced up our critical pages (what we on the inside are calling our "critical squids") and hope to continually do so for future issues (feel free to query us any time with ideas or proposals in this regard). Here, Jeff Encke tells us why Frank O'Hara is in no way a manifestor and Anastasios Kozaitis tells us how John Koethe's yawp echoes eternally.  Your friendly editors take close looks at the latest offerings from Gordon, Gizzi, Rohrer, and Mattawa; we also try to recover, from dark watery graves, books from Wong May and Edward Dahlberg.
  3. There is a lot of poetry and prose here (as much as four normal-sized octopuses!) so take it in slowly—we recommend quarter portions.  We're proud to feature a lengthy section from Jaime Saenz's The Night, translated by Forrest Gander and Kent Johnson.  In addition, here is a rundown of some of the work featured: an excerpt from Eleni Sikelianos' much anticipated The California Poem; a bizarre, moving and unsettling longer poem from Matt Henriksen; exceptionally strong new work by Ben Lerner, Joyelle McSweeney, Peter Jay Shippy, Julie Larios, Peter O'Leary and other younger poets; excellent translations of Zafer Senocak and Yang Lian; exciting work from Octopus literary hero Jerome Rothenberg; Kent Johnson's profoundly unsettling war poem . . .

So please go patiently, go cautiously with the map you found in issue #2, into these pyramids and beyond.  We assure you these treasures are not cursed.

--Z & T

 

 

 

 

 

 

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