MICHAEL HEFFERNAN


The Train

 

 

 

 

 

 

 

 

 

 

 

The Train




The people waiting for the train were all old Italians. One by one, they came down the stairs to the platform, while I gave them each a toothpick. I strolled the platform, with a wad of toothpicks in my fist, tapping them against my other fist into shapes of houses, cars, breasts and tommy-guns. No one noticed my creations. Each person reached for a toothpick without saying a word. I gave the last toothpick to a gaunt old woman in a half-length mink coat with a large gold brooch on the collar, shaped like a tiger-lily. I tastefully placed her toothpick between the petals. I noticed that she had no teeth.

We were lined up in front of the station. I was not sure whether this was the right place to catch the train, so I walked down the street. When I came back, the train had left. My two bags were slumped beside the waiting-room window where several old Italians had been playing cards. The stationmaster said the train left half an hour late.

It could not have been more than a few minutes since I walked down the street to where the bell-captain paced in front of the hotel and looked up to the room above the entrance. A young woman was sleeping behind the drawn curtain. It was 5 o'clock in the afternoon. She slept with her head flat to the mattress and both pillows arranged to block the shaft of light that danced in the middle of the room through the opening where the curtains had refused to overlap when she had tried to pull them tight. She wanted simply to lie down for a few minutes before her lover came. She had fallen fast asleep.

Around the corner in the side street, Carlo Vacca the baker slid seven loaves onto the oven bricks. He stepped back, lit his foul little pipe, and folded his arms.

Passing the bakery on his way to the hotel from the train station to meet the woman sleeping in the room above the entrance, her lover pressed his hands into the silk-lined pockets of his long camelhair overcoat. He thought at first of his mother's Persian-lamb jacket which she wore with her open-toed shoes and gray suede gloves to go shopping in the winter. The aroma from the bakery flowed over his brain. He watched his grandmother kneading dough, her forearms white with flour, her face a dandelion gone to seed. He sat at the kitchen table drawing her picture in her red apron and enormous black shoes.

Across the square was the apartment I had left dirty. On my way to the station, the landlord had called me into his office. He told me that Mrs. Castagno, in the apartment below mine, had complained about my garbage oozing through the fire escape onto her rose garden. I told him he was an insect the size of a giant pig. I spat on the floor in front of him.

In the grass under the tree outside the landlord's window, a fat squirrel's tail was a beautiful orange feather. The squirrel leapt onto a piece of bark and nibbled it, but the piece of bark was not food. The squirrel fell over to kick the bark, as if the bark were another squirrel. The winter afternoon hung from the tree above, like a sorrowful song from another time.

I arrived at my apartment with my luggage. The kitchen sink was full of greasy water. I reached in and pulled the plug and let the water out. The sink was filled with playing cards, toothpicks and plastic circus animals.

I watched the sun go down over the buildings I could see from my living room window. Night came quickly. I needed to go outside once more, before unpacking my luggage and getting ready for bed. I went downstairs for a walk around the block. I walked up the alley behind my building, to the windowless wall adjoining the alley. The constant shadow on the wall was of a round object I could not identify. It was cast by a streetlamp beyond a chain fence. One of the fenceposts clearly formed part of a shadow, but the shadow of the round object above and slightly to the right of the shadow of the fencepost did not originate with any round object between the wall and the streetlamp. I had failed to notice it for a period of many years, but it came to my attention, quite suddenly, one night in late autumn when I was returning from one of my walks. With increasing clarity and ever more intricate subtlety, I began to realize that the round object existed only in my imagination, while the shadow it cast was factually present on the wall. Either I had created both the object and its shadow, or I had created only the object, with the consequence that it would cast a shadow whenever the streetlamp was lit.

I was turning these possibilities over in my mind, trying to think of other possibilities, as I came around behind my building on my way back to my apartment. Mrs. Castagno's lights were off. Either she was away visiting her son the optometrist, or she was asleep in her apartment dreaming of the garbage dripping from my fire escape. Wherever she was, she was probably asleep and dreaming of eggshells and orange peels blossoming from her rosebushes. For a moment she realized how beautiful they were. They made her happy. Her anger at me released itself into the night air surrounding her dream. I looked at the shadow on the wall. The round object was my own head wearing a top hat. The rest of me had broken into a jaunty two-step, poking the wall with a cane, then stopping and standing still.




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