Amanda Nadelberg
Here In the Space-Time Continuum
Introduction by Chris Fischbach
You either just have or are about to
encounter these poems. LetÕs say you are about to. My advice? DonÕt trust them.
Will you find tricky rhetoric here? False logic? If you do, it is the best
kind, because you cannot prove that it is false. WhatÕs employed here will not
get you an A in your Elementary Logic class, but it will in Advanced Poetry.
They are too frantic, too anxious, for you to pin down. Does she earn the first
line of ÒPoem from ClaireÕs KneeÓ? I worried, but then I was led through a
revolving door out into the rush of the city, a city where in ÒOur Vision of
the FutureÓ ÒI am a metropolitan / woman! A woman who buys / a lamp because it
suits her.Ó But is this really Òour vision of the futureÓ [italics mine], where ÒIÕd like to be both
of us / at the same time. You / looking here at you.Ó? I am confused,
a little lost, but in a good way, like I am in Greenwich Village when I emerge
from the Sheridan Square subway stop. But itÕs okay: IÕm on vacation and I have
nothing to do but read poetry. Frank OÕHara is there, is here, too, but isnÕt he
everywhere? And who can blame him? And he certainly is not a woman. Or a
painter. And would he invite you to ÒSit down and paw / your hands at my basket
arrangementsÓ? or say, Òyou can do whatever / you want to me,Ó as if he were
profligate, as if he were blonde, or religious, as if he were French? Where was
I? Oh yes, I forgot that first line because I am in the mountains looking for
flowers. IÕm watching The Decline of the American Empire, wearing ÒJune BrideÓ
lipstick, and seeing the keg stands enjoying keg stands of their own. You will
encounter these poems or you will not. But if you do, throw away your compass
and your GPS, and put on your crazy pajamas, the ones you were saving for the
carnival.
Like I Said We Are
Like I said We Are A Competitive
Love and just like that: motion.
The mise en place walks into
a bar, orders a drink and sweet-like
lies down in the grass.
Phone calls are made and one
is to his mother. She is a nice person and
she deserves everything, everything.
Plans are made and some people learn to
not shake hands on promises. Hear me,
because I am one of them. I am going
to have a party and it will be a
terrific party—the keg stands
having keg stands of their own. I will
throw it all away. There is a cancer
in indecision. There are ways of causing
ruin to a person over and over again.
Orange juice is orange juice is just
orange juice but the goddamn Floridians
keep putting it in different bottles
and I am late for brunch. The
mise en place dislikes brunch and
the people who eat it. And I am moving.
Soon the Apartment will rent a truck
and drive from one state to the other.
Everything Will Be the Same,
says the mise en place. You Will Be the
Same Person in Your Little Apartment, Just in
Another Apartment. I donÕt know
how he knows this but the he must
believe in me. He goes to a movie. The
theatre is empty and he eats chocolate.
Surprisingly, there are no crumbs. The
mise en place says that the best part of
New York City is getting to take
your pants off at the end of the day
and I believe him. I believe that he gets hot
in all that polyester.
Poem From ClaireÕs Knee
It feels like the first time. I mean it.
You only get to hold onto something
until you donÕt hold onto it anymore;
the second part of the holding
is the not holding. To begin with
everything I would like to say: the far
end of the lake, the importance being
the sound of a boat like that, the center of
a lake and those mountains, find flowers,
find sound, find the Italy of the Poem.
The lake, the mountains and a vision of
fruit salad. France on a day in June.
ItÕs true. Love made me so angry. Here I am,
a picnic. All spread out on a big lake
lawn. I am a picnic. Sit down and paw
your hands at my basket arrangements.
What mountains? Flowers. Flowers,
flowers. A good story is not necessarily
about two people, itÕs about fire, or other
moveable things. Astounding electric
hands. The Decline of the American
Empire for instance. Perspective.
Juxtaposition. Intrigue. Maybe
she used to be a little more
beautiful. A little couch in a country
house is a second long in length. Swift
movements. A repetition of a kiss-
kiss to say, ItÕs Nothing. The weather,
the weather! A lake and its mountains.
A small boat because itÕs hard to
get anywhere. Like France. Something
rough and hard that will break your
face open. If itÕs raining, weÕll just
have to learn how to not get wet.
Here In the Space-Time Continuum
This mighty arrow and I are going straight
to the moon tonight. DonÕt try to stop me.
I guess I just want things that are certain.
So when I say I have had an overmuch
donÕt let go of me. I say dumb shit all
the time. I donÕt know if I would make a
good fisherman but I know what place is
and I know the many kinds. The kind like
a kitchen table. The kind like a beach
in a pretty country. The kind like the
blanket of a self hovering above
some road someplace because Honesty is
making up stories and sticking to them.
Like driving a car, or wearing a swim
suit, make it special, Sweetheart. The hair like
a piece of home, you can do whatever
you want to me. Like driving a car, or
wearing a swim suit. See how I manage
all the fire when it comes in little circles?
Pink particles kill one pink particle
at a time. There are these moments we are
missing entirely. I sat behind
a really pretty boy in France. I wanted
to kiss his neck. Nighttime is for sleeping,
thatÕs when you are supposed to sleep. And the
DevilÕs Vegetables should be prepared like
youÕre cooking in Denver. Remember that.
The size of this aircraft is indicative
of just how big dreams can be. I shine. I
keep trying. I mean, why not, I am out
of small slips of paper and if Stevie
Nicks can be broken hearted then so can
I. IÕm going to get red tights. No. No
no, I will sit right here. If I ever
wear lipstick IÕd like it to be ÒJune Bride.Ó
Our Vision for the Future
We come here to understand
especially little things.
Two birds are dancing.
Can you hear their
wings brushing on the
hallway floor? It is like
tiny imaginary sweetness.
Like the part of a shadow
intended only for sound.
Look look look look
look look look,
you can see it!
The quiet acts of trying.
France is grand today. 1986
was just like this: giving our
grapefruits little sun tans.
These days young people
donÕt give a damn. Yarrow?
What does that even mean?
Family commitments?
Like a tub? IÕm a metropolitan
woman! A woman who buys
a lamp because it suits her.
Maybe IÕm ordinary,
huffed against a fence post.
IÕd like to be both of us
at the same time. You
looking here at you.