ANNA MOSCHOVAKIS

[From THE MOODS] THE FUTURE or Optimism, an Epic

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

[from THE MOODS]

THE FUTURE or Optimism, an Epic

 

 

Any thing may produce any thing. —David Hume

 

 

 

 

 

I.

 

We have a limited time to read our true sensations.

She’s all over the place. He’s stuck. 

But I want to talk about the sublime sensation

circulating in trolley cars, dead for years.

 

Back at the General Office (G.O.), the salt

is boiling, the ketchup is burning

 

Give them a stake says the god of temerity

Give them a rake says the god of prosperity                                                

Says the god of calamity,

Give them an action hero to call their own. Let them bask in the nuclear mist of inheritance. Let them be renters in apartments filled with dirt

 

And all sat down to a feast of favors                     

rubbed each other red

with whispers of the fall

circuitous gestures of

a seduction

 

 

 

II.

 

In the rifts between clouds a giant flat screen

blinks at the rustling business below

 

She’s there, Endemia, darting between buses.

He’s there too, occasionally,

not doing much. He lifts a finger

to trace his name in a windshield:

Anodyne

 

They are and are not involved in the business below

They are and are not caretakers of the dust tavern

 

But I want to be able to say a thing

without sleeping with its contradiction

 

They are involved in the business below

but if they disappear they will not be missed

oh enlightened philosophers

they will not be missed

and their jobs at the tavern

will be easily filled

from a waiting list as long as the aisles

of Manhattan

 

Is a person a fact or a function?

(the goat of industry says Give them doubt)

 

 

 

III.

 

The book of doubt is open on the table

I fell asleep between the pages of doubt

Between the crosshairs, a curtain dropped between us

and the book, and the doubt

 

The emblem of a sleeve is emblazoned on the arm

The emblem of an arm is emblazoned on the skin

It is eminently interpretable

She walked in the rain of sensation,

brushing the emblem of tears from his face

There are only two poetries to speak of

 

 

 

IV.

 

Is a person a fact or a fiction?

Endemia sees a name traced in a windshield.

It is Feast Day.

Between rifts in the clouds,

a giant flat screen plays Azure Fields.

On the dashboard she makes out a parking ticket

a pack of condoms

and a slip of paper. She reads:

Let every thought be allowed

 

The book of doubt is a comedy

with a terrible ending

 

 

 

V.

 

For his part, Anodyne sleeps on the street

He sleeps through Feast Day

He sleeps through Promise Day

He sleeps through Regret Day

He sleeps through Personal Gain Day

 

The goad of meritocracy says, Give them yards and meters

and the propensity to use them

Anodyne is twelve feet tall

which makes him just about average

He depends on the judgment of others

like a flea on fur. He does not embarrass easily

 

I picked up this book at a party

There were lines all over it. The woman

I was drinking with got sick in the hall

September is the cruelest month

to be surprised by rain

 

When the weather comes the clouds close up

and nothing plays for the people

 

 

 

VI.

 

Nothing is happening so they make something happen

A approaches E, like

a penny viewed from a plane

Is this all that is supposed to happen?

 

A candy bar walks into a bar

The bartender hides his book behind a bottle

 

I write a word and then I write another word and that makes me want to tell a story

 

She says, I believe you stepped on my thumb

He says, I believe it is a beautiful thumb

Let them believe everything and believe in nothing

says the ghost of fiction

 

appendix one:

E felt cautious at the opening of the world.

A. learned to smile by pulling on his ears.
Nothing was happening, or was it?

They put ear to ground, ground to ear.

Silence waved like an electric fence.

 

 

 

VII.

 

Any thing may produce any thing. The book

has high production value. In the off-season

nobody wants to watch the book

Some people get tan while wearing their clothes

They are the true believers

 

Anodyne starts again:

This book is the crookedest railroad on earth

It is a lesson in history. Anybody who’s anybody

Who’s who

 

He dares to ask, wandering, beltless, a fugitive crack

in the fabric of things

In the rift between clouds a reason appears

The traffic patterns are beautiful

A man is supported by a liquid cane

A stallion shrugs its shoulders

and the tourists die laughing

 

I have never found reason a good enough reason

 

appendix two:

Is it evening or has time gone on strike?

Let’s go to Afghanistan

 

“God, I’m desperate”

Anodyne’s private excuse

 

They kiss in the coffee-way

trailing behind the tanks

Everything might explode

The possibilities

to die for

 

Endemia doubles up at the thought

“Now that I owe my life to science

I can join the human race.”

 

 

 

VIII.

 

Endemia is sore

Sore at the fabric chafing her knuckles

Sore at the fact of an intersection,

its complexity lost on a public gone south

for the duration

 

Will these two ever be brought together?

The ghoul of obscenity says, here, here

and leads them into a dark digression

in a private language

under the cloud of love

 

 

 

IX.

 

There are only two poetries to speak of,

well or ill

 

Says the card of empire: I rule by instinct

The book of doubt has been confiscated

even the fire can’t touch it anymore

 

 

X.

 

Anodyne wants to know: is this love

or complex wealth management?

Why am I freezing when I’ve paid my rent?

Why can I only feel bodies

through the glove of interpretation??

 

This is a story about the rift in the sky

A myth of origin, nothing more

than a voice in the hall

climbing up the stars

 

What do you believe?

Better to speak

in a language you don’t know

Jack of all tongues

 

How do you explain this diversity of sensation?

The vaccine was stolen

by the World Bank

long before the accidental birth

of the future

 

 

 

XI.

 

This is the story of a pair of sensations

Let’s call them people, give them names:

She will be Endemia, short for disease

Can he help her?

 

They are ahead of themselves

after the point where the timeline

is written in pencil.

Nothing is happening so they make something happen.

E approaches A

 

appendix three:

The book of doubt has a lot to say

on the subject of personal ignorance.

 

—How many pairs of shoes do you own?

—Five, maybe six

—How many pairs of shoes do you own?

—Five hundred. I like my feet.

 

I like very little about myself

Endemia frowns.

I like monks. I’d like to be one,

a monk.

 

 

 

XII.

 

The book of doubt has fallen open

lands like a song

a rug

a rung below

the business end of things

—But what do you believe?

(“in the weather alone”)

 

Nothing is happening so they make something happen:

E on the ground running like water,

like fashion

What is her disease?

Her Appendix hanging out,

a vestigial last word

 

What’s there to miss? The doctors hit delete

and called it progress,

called it over

 

appendix four:

“This is the age of everything and nothing”

“The age of the miserable millionaire”

“The age of sun control, bad habit control”

 

Endemia winces at the simple sentiments.

The crowd doesn’t know how to cook its words.

She can’t do anything with what they give her.

 

 

 

XIII.

 

Anodyne fills the field

he used to play in.

He asks: what has happened to the book?

Is anybody there to read the field?

Why does it sting to do anything twice?

Endemia: Fie.

 

They were born in California

which no longer exists

The Inland Empire having conquered the coast

and mysteriously vanished from the map

Why didn’t anybody say anything?

The emperor left a suicide note

It was broadcast from the rift in the clouds

and whirled across the Americas

hand over hand

 

Let them land on each other in broad daylight

And they do